(713 results) An always-on video channel featuring programming hand selected by Art21Curated by Art21 staff, with guest contributions from artists, educators, and moreExplore over 700 videos from Art21's television and digital seriesSave videos to watch later, or make a selection to play back-to-back using the autoplay feature.Jenny Holzer was born in Gallipolis, Ohio, in 1950. [Internet]. One includes a computerized Spectacolor graphic of a woman's face alongside the words, "What urge will save us now that sex won't?"

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Vertical bands of color radiate across the rest of the canvas in a manner reminiscent of mid-century Color Field Painting.

[Internet]. Here, in the space below the yellow bar, the barely visible painted text appears: "A group presently in the United States plans to conduct a terrorist operation involving the use of high explosives." Jenny Holzer was born in Gallipolis, Ohio, in 1950. The 25-edition piece, titled URGE AND URGE AND URGE, is made up of condoms in a handblown, recycled glass jar..

TheArtStory.org Content compiled and written by Jen Glennon Edited and revised, with Summary and Accomplishments added by Ruth Epstein Available from: First published on 22 Feb 2016. Jenny Holzer ist eine amerikanische Konzeptkünstlerin und bekannt für ihre auf Text basierenden Kunstprojekte im öffentlichen Raum. Sie beschäftigt sich mit der Nutzung von Sprache sowohl als Form von Kommunikation als auch als Mittel zur Verschleierung oder Kontrolle. . Printed Matter. Whereas in other contexts Holzer's signs were about blending in, in the context of the Guggenheim it was about clashing with the austere formalism of the famous 20 Extended tricolor LED electronic signboard - Guggenheim Museum Though always political, from 1993 onward, Holzer became more explicitly and directly engaged with the physical and mental impacts of violence and trauma.

The work seen here is projected onto the side of the Kunsthaus Bregenz building - the contemporary art exhibition center in Austria.

Holzer’s recent work ranges from silk-screened paintings of declassified government memos to a large-scale poetry and light installation in the lobby of 7 World Trade Center, New York. In 1990, Holzer received the Golden Lion at the Venice Biennale. Auf die Frage, wie sie zum Licht kam, erklärt Jenny Holzer: „Zuerst begann ich mit Straßenplakaten, weil sie mir zur Verfügung standen und für die Sätze, die ich schrieb, Sinn zu machen schienen. Whether encountered on city streets or in art galleries, Holzer's work asks us to consider the words and messages that surround us.
Erfahren Sie in unserem täglichen Newsletter, welche Events, Trends und Personen den globalen Kunstmarkt prägen.©2018 Artnet Worldwide Corporation. This art lesson is based on the legendary work of artist Jenny Holzer. Jenny Holzer is an American Conceptual artist best known for her text-based public art projects. Major exhibitions include Neue Nationalgalerie, Berlin (2001); Contemporary Arts Museum, Houston (1997); Dia Art Foundation, New York (1989); and Solomon R. Guggenheim Museum, New York (1989). She was the first woman to represent the United States in the Venice Biennale (1990).

In 1989 she became the first female artist chosen to represent the United States at Italy's Venice Biennale. I like her work, because in her work, she combines texts that she has written, and words written by other people, including poems and declassified government documents, and LED. Summary of Jenny Holzer The text-based art of Jenny Holzer appears in places one wouldn't expect to find it.
Whether questioning consumerist impulses, describing torture, or lamenting death and disease, Jenny Holzer’s use of language provokes a response in the viewer.While her subversive work often blends in among advertisements in public space, its arresting content violates expectations. Jenny Holzer is an American conceptual artist best known for her text-based public art projects. An American Neo-Conceptualist artist, Jenny Holzer (born 1950) utilized the homogeneous rhetoric of modern information systems in order to address the politics of discourse. All rights reserved. Exploring how language is used both as a form of communication and as a means of concealment and control, Holzer has employed a variety of media throughout her career, including large-scale projections, LED displays, T-shirts, and posters. Since 1996, Holzer has organized public light projections in cities worldwide. Updated and modified regularly [Accessed ]

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