Here he blended the Cremonese techniques of his father with Venetian, perhaps working with Domenico Montagnana and Carlo Annibale Tononi . A master combination of the traditions of Cremona and Venice by the elder brother of ‘del Gesù’. Followers 0. Pietro Guarneri (Peter of Venice or Pietro da Venezia) (April 14, 1695 - April 7, 1762), son of Giuseppe filius Andreae.Last of the Guarneri violin-makers. The master eventually arrived and settled in Venice 1722-1724. His findings, published 1886, in the manuscript entitled "LIUTAI ANTICHI e MODERNI", and now available online in PDF format on Some of the world's most famous violinists, such as A Guarneri violin is a center object in one of Andrea Camilleri's main Montalbano novels "La Voce del violino" (The voice of the violin). This instrument by Petrus Guarnerius, Venice, 1737, is published in The Strad, January 1928. 30-apr-2015 - Pietro Guarneri 'Of Venice' (1725) A Cello Venice, 1725 Labelled Petrus Guarnerius Cremonensis Filii Josef Venetis Anno 1725 Length of back: 74.9 cm He worked with his uncle Pietro in Mantua and then on his own in Venice until his death. Lived in Cremona with his father until 1718. Other Twentieth-century 'del Gesù' players include The Guarneri family's history is partially uncertain.

Pietro Guarneri, known as Peter Guarnerius of Venice (1695-1762), was the older brother of Joseph Guarnerius del Gesu.

In the Guarneri workshop there was not only Andrea, but also Pietro Giovanni, Pietro Guarneri (or Peter of Venice) and his brother Giuseppe (also called "del Gesu" since he used a cross and the initials I.H.S., which is a monogram for the name Jesus Christ) who worked on the violins. Typical label: Petrus Guarnerius filius Joseph Cremonensis fecit Venetiis anno 1740 Two of Andrea's sons continued the father's traditions: 19-mag-2015 - Tarisio | Pietro Guarneri of Venice, 1750, the 'Bailly' Lived in Cremona with his father until 1718. he was a soldier in the French army and then for many years traveled extensively in his work as a professional violinist before settling down in Venice and becoming an instrument maker. "Signor Giovanni de Piccolellis, in 1885, searched the archives at the church, San Donato, in Cremona for information on the Guarneri family. Here he blended the Cremonese techniques of his father with Venetian, perhaps working with Montagnana and Tononi. Continuing to use this site, you agree with this. Giuseppe Guarneri del Gesù Cremona, c.1729-30/ Giuseppe Guarneri del Gesù Cremona, 1735, “Mary Portman” Giuseppe Guarneri del Gesù Cremona, 1735, “Sennhauser” Giuseppe Guarneri del Gesù Cremona, 1742, “Wieniawski” A. Pietro Guarneri “filius Joseph” – Pietro di Venezia. Finding life in Casa Guarneri in some way uncongenial, left Cremona for good in 1718.

Reply to this topic; ... Another useful source of photographs is Violin and Lute Makers of Venice, 1640-1760, by Stefano Pio. A superb violin by MICHELE DECONET Venice, c. 1760.

The Venetian makers of the same period were By 1728 he married Angiola Maria Ferrari on 5th of April (1728), with whom he had ten children.His first original labels from Venice date from 1730. By kohi, September 6, 2017 in The Pegbox. Giuseppe Giovanni Battista was father to two further instrument makers: His instruments are less esteemed than those of his uncle. Pietro Guarneri di Venezia Sign in to follow this . The details of Giuseppe Guarneri’s biography cannot be documented after 1720, but it was during this enigmatic period that his son Pietro came into his own, the “Venetian Guarneri,” who was also known as Pietro di Venezia or “filius Joseph.” Born in Kehl, near Strasbourg, . His instruments are rare and as highly prized as those of his father and uncle. Giuseppe del Gesu became the most accomplished of the Guarneris. In the third generation, Pietro Guarneri (Peter of Venice), [born april 14th 1695, died april 7th, 1762], incorporated aspects of Venetian instuments into his own, and his brother Giuseppe Guarneri, [born aug. 21, 1698, died oct. 17th, 1744], became the finest violin maker of the Amati line. One of the most important late period masters of the Venetian School, not much is known about Michele Deconet’s life. We are using cookies for the best presentation of our site. The flamed maple of the back has a richness associated with golden-period Stradivaris, and Guarneri’s flowing, mannered f-holes work well with the red brilliance of the Venetian varnish. Finding life in Casa Guarneri in some way uncongenial, left Cremona for good in 1718. Pietro Guarneri (Pietro da Venezia) (14 April 1695 - 7 April 1762), finding life in Casa Guarneri in some way uncongenial, left Cremona for good in 1718, eventually settling in Venice. Anthony J. Guarnieri writes, "Giuseppe del Gesù and Peter of Venice may have been cousins rather than brothers, and Peter of Venice may have been the son of Peter of Mantua." Pietro Guarneri di Venezia.

Roughly 30 pages worth.

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