A major early 20th-century painter, Wifredo Lam fused elements of Cubism and Surrealism with African culture in paintings that were exhibited alongside those of Pablo Picasso and other Cubists and Fauvists.A native Cuban, Lam hailed from Chinese, European, Indian, and mixed-African descent, and he was deeply influenced by African spiritual practices such as Santeria. ‘Femme Cheval’ was created in 1943 by Wifredo Lam in Cubism style. Find more prominent pieces of portrait at Wikiart.org – best visual art database. He was of mixed ethnic origin—his father, Yam Lam was a Chinese immigrant and his mother, Ana Serafina Castilla, was the daughter of a … Later, Wifredo’s contact with African celebrations and spiritual practices turned out to have a profound influence on his artistic imagery.In 1918, Wifredo was accepted into the Escuela Profesional de Pintura o Escultura Academia de San Alejandro. His godmother was a Yoruba princess.In Sagua La Grande, Wifredo was surrounded by many people of African descent that, in the same manner as his own family, combined Catholicism with revered African traditions. "My painting is an act of decolonization not in a physical sense, but in a mental one.
On their arrival, they were arrested and imprisoned in Trois Îles. Cuba, 1902–23. During the early 1920s, he exhibited at the S… Studirao u Havani i Madridu.
Wifredo Óscar de la Concepción Lam y Castilla grew up in Sagua La Grande in the province of sugar canes, Villa Clara. Lam, like many of the most renowned artists of the 20th century, combined radical modern styles with the "primitive" arts of the Americas.He held the belief that society focused too much on the individual and sought to show humanity as a whole in his artwork.In 2015 a retrospective exhibition of his works opened at the Nessen, Susan.
Wifredo Lam, Zambezia, Zambezia, oil on canvas, 1950, Solomon R. Guggenheim Museum. max resolution: Added: 1 Jun, 2020 Add to album Wifredo Óscar de la Concepción Lam y Castilla grew up in Sagua La Grande in the province of sugar canes, Villa Clara.
Having taken Lam under his wing and championing him around Europe, Picasso’s unique style is quite vivid within Lam’s later works: surreal figures projecting almost shattering emotions and a puzzle of hodgepodge cubism with an almost other-dimensional magnetism. Picasso introduced him as his new ‘colleague’ to his friends, Braque, Matisse, Miró, Léger, Eluard, Leiris, Tzara, Khanweiler and Zervos. By 1918 he had
Solomon R. Guggenheim Museum, New York City, NY, US At the pottery workshops of Mazzotti, Bianco and Salino, Wifredo Lam would exchange ideas, views and experiments in the art of ceramics with his friends Asger Jorn, Enrico Baj and Lucio Fontana.Several private photos from the first half of the 1970s bear witness to Wifredo’s studio housing many historical sculptures, mainly from West Africa and Papua New Guinea.
His godmother, who worked as a Santería minister, healer and shaman, introduced Wifredo to rites from the African Òrìṣà-religion that had been brought to Cuba from Yorubaland by Nigerian slaves.
Find more prominent pieces of portrait at Wikiart.org – best visual art database. While waiting for his visa, Wifredo Lam illustrated the André Breton poem, “On the Capitaine Paul-Lemerle, a converted freighter that sailed European war refugees to Martinique, André Breton, Wifredo Lam and Claude Lévi-Strauss, as well as 300 other refugees, left Marseille in 1941 to be transported to the French island in the Caribbean.
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