He has served on the theater panel for the National Endowment for the Arts and in other theater advisory capacities. issues are available in JSTOR shortly after publication.In order to preview this item and view access options please enable javascript.Check to see if your institution has access to this content.To support researchers during this challenging time in which many are unable to get to physical libraries, we have expanded our free read-online access to 100 articles per month through December 31, 2020.©2000-2020 ITHAKA. El Teatro Campesino (Spanish for "The Farmworker's Theater") is a Chicano theatre company in California.Performing in both English and Spanish, El Teatro Campesino was founded in 1965 as the cultural arm of the United Farm Workers and the Chicano Movement with the "full support of César Chávez."

Humor became a major asset and weapon, adding understanding and appeal to the messages of the actos.Chicanos who saw the popular success of El Teatro Campesino in the seventies felt that it had  brought Chicano philosophy not only to new audiences, but to the artistic heart of the system.
EL TEATRO CAMPESINO Interviews with Luis Valdez by BETH BAGBY El Teatro Campesino (The Farm Workers Theatre), founded and directed by twenty-six-year-old Luis Miguel Valdez, deals with the same problems of the San Joaquin Valley that John Steinbeck depicted so graphically thirty years ago.

He finished high school and went to San Jose State College, where he received a B.A.

70-80 The performances drew on traditions from European drama such as commedia dell'arte, Spanish religious dramas adapted for teaching Mission Indians, a Mexican tradition of performances in California which began in the mid-ninteenth century, and Aztec and Maya sacred ritual dramas. He worked with the San Francisco Mime Troupe for several months, then went to his birthplace, Delano, where he joined Cesar Chavez, leader of the striking United Farmworkers of America, and formed El Teatro Campesino.

The emphasis, however, is communication to the oppressed, not about them.

in 1964 in math and English. In rare instances, a View Luis Valdez’s profile on LinkedIn, the world's largest professional community. "I want audiences to get up off their seats and go out of the theater feeling somewhat better about life. 11, No. I want them to sense human unity rather than divisiveness," said Valdez after "Awards honoring El Teatro Campesino and/or the work of Luis Valdez include:  the Obie Award in 1968, the Los Angeles Drama Critics Award in 1969 and 1972, 11 Bay Area critics awards for "The following timeline presents some of the highlights of El Teatro Campesino reflecting the history of the organization up to the date that the archives were established.COPYRIGHT © 2010-2019. The drama department of San Jose State University produced his first full-length play. Luis Miguel Valdez (born June 26, 1940) is an American playwright, actor, writer and film director.

He has continued heading workshops at the Teatro's San Juan Bautista headquarters.

The acto is bracketed by opening and closing scenes on a pyramid, where many of the characters from ETC's actos are arranged, frozen in action.

Vol.

The transformation started in a context of a new awareness of cultural identities in the 1960s which brought a new consciousness of their social, political, and economic positions to minorities.

Social points were made not in spite of comedy, but through it, using broad farcical statements.

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